2 Ballad Histories, Critical Studies, and References
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Burnham, J. M. “A Study of Thomas of Erceldoune”. PMLA 23 (1908): 375-420.
(Burns, Robert)-Hazlitt, William. “Lecture VII: On Burns, and the Old English Ballads” (Lectures on the English Poets). Vol. 2 of The Selected Writings of William Hazlitt. Ed. Duncan Wu. London, 1998.
(Burns, Robert)-Low, Donald A. “Burns and the Traditional Ballad”. Studies in Scottish Literature 26 (1991): 536-42.
(Burns, Robert)-Snyder, F. B. “Notes on Burns and the Popular Ballads”. Journal of English and Germanic Philology 17 (1918): 281-88.
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Buxton, John. A Tradition of Poetry. London, 1967.
(Byron, George Gordon)-Hudson, A. P. “Byron and the Ballad”. Studies in Philology 42 (1945): 594-608.
Calder, Angus. Revolving Culture: Notes from the Scottish Republic. London, 1994.
Cameron, David Kerr. The Ballad and the Plough: A Portrait of the Life of the Old Scottish Farmtouns. 1978; London, 1979.
Chambers, E. K. English Literature at the Close of the Middle Ages. Vol. 2, part 2 of The Oxford History of English Literature. 12 vols. Ed. F. P. Wilson and Bonamy Dobrée. 1945; Oxford, 1948.
Chambers, Robert. The Romantic Scottish Ballads: Their Epoch and Authorship. 1849; Norwood, PA, 1979.
Chambers, Robert, ed. A Biographical Dictionary of Eminent Scotsmen. 1874-75. Rev. by the Rev. Thomas Thomson, with a supplement continuing The Biographies to the Present Time. Bristol, 1996.
Christophersen, Paul. The Ballad of Sir Aldinger: Its Origin and Analogues. Oxford, 1952.
Clery, E. J., and Robert Miles, eds. Gothic Documents: A Sourcebook 1700-1820. Manchester, 2000.
Coffin, Tristram P. “Mary Hamilton and the Anglo-American Ballad as an Art Form”. Journal of American Folklore 70 (1957): 208-14.
Coffin, T. P., and Roger de V. Renwick. The British Traditional Ballad in North America. Rev. ed. Austin, 1977.
(Coleridge, S. T.)-Coffin, Tristram P. “Coleridge’s Use of the Ballad Stanza in ‘The Rime of the Ancient Mariner’”. Modern Language Quarterly 12 (1951): 437-45.
(Coleridge, S. T.)-Fulmer, O. Bryan. “The Ancient Mariner and the Wandering Jew”. Studies in Philology 66 (1969): 797-815.
(Coleridge, S. T.)-Tuttle, Donald Reuel. “Christabel Sources in Percy’s Reliques and the Gothic Romance”. PMLA 53 (1938): 445-74.
Courthope, W. J. A History of English Poetry. 6 vols. New York, 1962.
Cowan, Edward J., ed. The People’s Past: Scottish Folk ･ Scottish History. Edinburgh, 1980.
Cowl, R. P. The Theory of Poetry in England: Its Development in Doctrines and Ideas from the Sixteenth Century to the Nineteenth Century. New York, 1970.
Cregeen, Eric, & D. W. MacKenzie. Tiree Bards and Their Bardachd: The Poets in Hebridean Community. Argyll, 1978.
Daiches, David, ed. A Companion to Scottish Culture. London, 1981.
Day-Lewis, C. The Lyric Impulse. Cambridge, MA, 1965.
Donald, Diana. The Age of Caricature: Satirical Prints in the Reign of George III. New Haven, 1996.
Donaldson, Gordon, and Robert S. Morpeth. A Dictionary of Scottish History. Edinburgh, 1977.
Dugaw, Dianne. “The Popular Marketing of “Old Ballads”: The Ballad Revival and Eighteenth-Century Antiquarianism Reconsidered”. Eighteenth-Century Studies (Fall, 1987) 21-1: 71-90.
Ellman, Richard, and Charles Feidelson, eds. The Modern Tradition: Backgrounds of Modern Literature. Oxford, 1965.
Entwistle, William J. European Balladry. 1939; Oxford, 1951.
Entwistle, William J. “Notation for Ballad Melodies”. PMLA 55 (1940): 61-72.
Fairchild, Hoxie N. Religious Trends in English Poetry. New York, 1957.
Fairchild, Hoxie N. “The Romantic Movement in England”. PMLA 55 (1940): 20-26.
Finlay, Alec. “Hamish Henderson and the Modern Folksong Revival”. Studies in Scottish Literature 30 (1998) 219-34.
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Forsythe, R. S. “Modern Imitations of the Popular Ballad”. Journal of English and Germanic Philology 13 (1914): 88-97.
Fowler, D. C. A Literary History of the Popular Ballad. Durham, NC, 1968.
Friedman, Albert B. The Ballad Revival: Studies in the Influence of Popular on Sophisticated Poetry. Chicago, 1961.
Gerould, Gordon Hall. “The Ballad of The Bitter Withy”. PMLA 23 (1908): 141-67.
Gerould, Gordon Hall. The Ballad of Tradition. Oxford, 1932.
Graham, Henry Grey. Scottish Men of Letters in the Eighteenth Century. London, 1901.
Graves, Robert. The English Ballad: A Short Critical Survey. 1927; London, 1970.
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Groom, Nick. The Making of Percy’s Reliques. Oxford, 1999.
Groom, Nick. “Celts, Goths, and the Nature of the Literary Source”. Tradition in Transition: Women Writers, Marginal Texts, and the Eighteenth-Century Canon. Ed. Alvaro Ribeiro and James G. Basker. Oxford, 1996.
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Gunnyon, William. Illustrations of Scottish History, Life, and Superstition from Song and Ballad. London, 1877.
Harris, Joseph, ed. The Ballad and Oral Literature. Cambridge, MA, 1991.
Hart, Walter Morris. Ballad and Epic: A Study in the Development of the Narrative Art. 1907; New York, 1967.
Hart, Walter Morris. “Professor Child and the Ballad”. PMLA 21 (1906): 755-807.
Haywood, Ian. The Making of History: A Study of the Literary Forgeries of James Macpherson and Thomas Chatterton in relation to Eighteenth-Century Ideas of History and Fiction. London, 1986.
Hendren, J. W. A Study of Ballad Rhythm: With Special Reference to Ballad Music. 1936; New York, 1966.
Hodgart, M. J. C. The Ballads. 1950; New York, 1962.
Holt, J. C. Robin Hood. London, 1982.
Hooker, Edward Niles. “The Discussion of Taste, from 1750 to 1770, and the New Trends in Literary Criticism”. PMLA 49 (1934): 577-92.
(Housman, A. E)-Haber, Tom Burns. “The Influence of the Ballads in Housman’s Poetry”. Studies in Philology 39 (1942): 118-29.
Hustvedt, S. B. Ballad Books and Ballad Men: Raids and Rescues in Britain, America, and the Scandinavian North since 1800. 1930; New York, 1970.
Hustvedt, S. B, ed. Ballad Criticism in Scandinavia and Great Britain during the Eighteenth Century. 1916; New York, 1971.
Irving, David. The History of Scotish Poetry. Ed. John Aitken Carlyle. Edinburgh, 1861.
James, Louis, ed. English Popular Literature 1819-1851. With an introduction and commentary. New York, 1976.
Jobes, Gertrude. Dictionary of Mythology, Folklore and Symbols. 2 vols. New York, 1962.
Ker, W. P. Epic and Romance: Essays on Medieval Literature. 1908; New York, 1957.
Ker, W. P. Form and Style in Poetry: Lectures and Notes. Ed. R. W. Chambers. 1928; London, 1966.
Ker, W. P. Medieval English Literature. 1912; Oxford, 1945.
Kermode, Frank. Romantic Image. 1957; New York, 1986.
Kinsley, James, ed. Scottish Poetry: A Critical Survey. London, 1955.
Kroeber, Karl. Romantic Narrative Art. Madison, 1966.
Laws, Jr., G. Malcolm. American Balladry from British Broadsides: A Guide for Students and Collectors of Traditional Song. Philadelphia, 1957.
Lawsが採用した分類番号（アルファベットと数字の組み合わせ）は Laws number と呼ばれ、アメリカン・バラッドの分類・整理に利用されている。
Laws, Jr., G. Malcolm. The British Literary Ballad: A Study in Poetic Imitation. Carbondale, 1972.
Leach, M., ed. The Standard Dictionary of Folklore, Mythology, and Legend. 2 vols. New York, 1949.
Leach, M., and T. P. Coffin, eds. The Critics and the Ballad. Carbondale, 1961.
Leavis, F. R. Revaluation: Tradition and Development in English Poetry. London, 1936.
Legouis, Émile, and Louis Cazamian. A History of English Literature. 1926-27; London, rev. 1971.
Lloyd, A. L. Folk Song in England. 1967; London, 1969.
Londsdale, Roger, ed. Dryden to Johnson. 1971.Rev. ed. 1986; Harmondsworth, 1993. Vol. 4 of The Penguin History of Literature.
Low, Donald A. “Burns and the Traditional Ballad”. Studies in Scottish Literature 26 (1991) 536-42.
Lowes, John Livingston. The Road to Xanadu: A Study in the Ways of the Imagination. 1927; London, 1978.
Lyle, E. B., ed. Ballad Studies. Totowa, NJ, 1976.
Mackenzie, Agnes Mure. An Historical Survey of Scottish Literature to 1714. London, 1933.
Mackie, J. D. A History of Scotland. 2nd. ed. rev. and ed. by Bruce Lenman and Geoffrey Parker. Harmondsworth, 1978.
McLane, Maureen N. Balladeering, Minstrelsy, and the Making of British Romantic Poetry. Cambridge UP, 2008.
McLane, Maureen N. “The Figure Minstrelsy Makes: Poetry and Historicity”. Critical Inquiry 29 (2003): 429-52.
MacQueen, John. Progress and Poetry. Vol. 1 of The Enlightenment and Scottish Literature. Edinburgh, 1982.
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Martinengo-Cesaresco, Countess Evelyn. Essays in the Study of Folk-Songs. London, 1886.
Matchett, William H. “The Integrity of ‘Sir Patrick Spence’”. Modern Philology 68 (1970): 25-30.
McAlpine, Kaye. “The Gallows and the Stake: A Consideration of Fact and Fiction in the Scottish Ballads”. Stirling U(Ph. D), 1995.
McCarthy, William Bernard. The Ballad Matrix: Personality, Milieu, and the Oral Tradition. Bloomington, 1990.
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Muir, Edwin. Scottish Journey. Introduction by T. C. Smout. 1935; Edinburgh: Mainstream Publishing, 1979.
Muir, Willa. Living with Ballads. London, 1965.
Murphy, Rosalie, ed. Contemporary Poets. With a preface by C. Day-Lewis. London, 1970.
Nagler, M. N. Spontaneity and Tradition: A Study in the Oral Art of Homer. Berkeley, Los Angeles, 1974.
Neuburg, Victor E. Popular Literature: A History and Guide from the Beginning of Printing to the Year 1897. Harmondsworth, 1977.
Odell, George Clinton Densmore. Simile and Metaphor in the English and Scottish Ballads. 1892; Norwood, PA, 1979.
O’Neill, Michael. Literature of the Romantic Period: A Bibliographical Guide. Oxford, 1998.
Palmer, Roy. A Ballad History of England from 1588 to the Present Day. London, 1979.
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(Percy, Thomas)-Bate, Walter Jackson. “Percy’s Use of His Folio-Manuscript”. Journal of English and Germanic Philology 43 (1944): 337-48.
(Percy, Thomas)-Churchill, Irving L. “William Shenstone’s Share in the Preparation of Percy’s Reliques”. PMLA 51 (1936): 960-74.
(Percy, Thomas)-Clark, Jr., Robert T. “Herder, Percy, and the Song of Songs”. PMLA 61 (1946): 1087-100. -Davis, Bertram H. Thomas Percy. Boston, 1981.
(Percy, Thomas)-Clark, Jr., Robert T. Thomas Percy: A Scholar-Cleric in the Age of Johnson. Philadelphia, 1989.
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(Percy, Thomas)-Friedman, Albert B. “Percy’s Folio Manuscript Revalued”. Journal of English and Germanic Philology 53 (1954): 524-31.
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(Wordsworth, William)-Mayo, Robert. “The Contemporaneity of the Lyrical Ballads”. PMLA 69 (1954): 486-522.
(Wordsworth, William)-Parrish, Stephen Maxfield. The Art of the Lyrical Ballads. Cambridge, MA, 1973.
(Wordsworth, William)-Parrish, Stephen Maxfield. “Dramatic Technique in the Lyrical Ballads”. PMLA 74 (1959): 85-97.
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(Wordsworth, William)-Parrish, Stephen Maxfield. “The Wordsworth-Coleridge Controversy”. PMLA 73 (1958): 367-74.
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